Even with high quality cameras, the
color reproduction in photographs
does not conform to the colors of the
scenery in your memory.
Unwanted color casts reduce the overall white balance. Our eyes adjust to diff erent lighting conditions, both in terms of intensity and color. Even automatic cameras have a chromatic adaptation. With automatic white balance, the gadget misses the color temperature of the ambient light and adjusts the colors in the photo accordingly. The function is not always satisfactory. Above all, many cameras have a hard time with artifi cial light and twilight.
SELECT RECORDING FORMAT: A mixture
of technique, intuition and trial are
required to achieve the best results. You
have an optimum start position if you
shoot simultaneously with RAW and JPEG
format with automatic white balance.
Therefore you don’t have to be concerned
about the photograph; a greater part of
the image is good and thanks to the RAW
format, it gives the protographer freedom
to adjust the white balance in important
photographs later.
ANALYZE IMAGES: White balance cannot be accurate for every photo. Finally, there are some colors that are too warm, setting the mood for a candle-light dinner. Therefore, the technically right white balance isn’t always ideal.
ADJUST WHITE BALANCE: With the subsequent white balance, you have a creative tool with which you can make the color mood of the pictures intentionally unnatural. The medium of choice is the RAW converter. First, try all the default settings. The options ‘Light bulb’ or ‘Fluorescent tube’, for example, ensure signifi cant variation in mood lighting in daylight shots. ‘Artifi cial light’ ensures a blue coloration in sunset scenes. Distorted results often seem more interesting.
Unwanted color casts reduce the overall white balance. Our eyes adjust to diff erent lighting conditions, both in terms of intensity and color. Even automatic cameras have a chromatic adaptation. With automatic white balance, the gadget misses the color temperature of the ambient light and adjusts the colors in the photo accordingly. The function is not always satisfactory. Above all, many cameras have a hard time with artifi cial light and twilight.
SELECT RECORDING FORMAT: A mixture
of technique, intuition and trial are
required to achieve the best results. You
have an optimum start position if you
shoot simultaneously with RAW and JPEG
format with automatic white balance.
Therefore you don’t have to be concerned
about the photograph; a greater part of
the image is good and thanks to the RAW
format, it gives the protographer freedom
to adjust the white balance in important
photographs later.ANALYZE IMAGES: White balance cannot be accurate for every photo. Finally, there are some colors that are too warm, setting the mood for a candle-light dinner. Therefore, the technically right white balance isn’t always ideal.
ADJUST WHITE BALANCE: With the subsequent white balance, you have a creative tool with which you can make the color mood of the pictures intentionally unnatural. The medium of choice is the RAW converter. First, try all the default settings. The options ‘Light bulb’ or ‘Fluorescent tube’, for example, ensure signifi cant variation in mood lighting in daylight shots. ‘Artifi cial light’ ensures a blue coloration in sunset scenes. Distorted results often seem more interesting.
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